Field Theory explores the relationship between the terrestrial and the cosmic, imagining the natural world as part of a larger system of forces, energetic frequencies, and invisible connections. Drawing on the visual language of cosmology, ecology, and exploration, the work considers how landscapes, celestial bodies, and living things are bound together across space and time.

The landscape is presented not as a fixed place or merely a physical field of dandelions, but as an interconnected expanse stretching from earth to cosmos. The composition serves as both a map and a question; an unfinished cosmology that reflects humanity's enduring attempt to understand its place within an expansive and interconnected universe. Near the horizon, two small figures traverse the land together, inviting interpretations as fellow explorers, mirrored selves, or reflections of the reciprocal sameness between humanity and the universe itself. Observer and observed, twin forces moving through the same field.

At once a journey and an observation, the work functions as a meditation on distance, frequency, gravitational longing, and the fabric of infinity. It is an interior expedition, field notes from elsewhere, an orbit of a question, a cartography of becoming, and the shape of arrival. An Atlas of the Invisible. A Geometry of Silence.